I couldn't avoid it ... sorry ... if you want to take it away .. but there it goes
Here is the last video where the musical evolution that has suffered his musical career is noted and that overflows melodic experience and maturity:
In case you do not understand all the amplitude and greatness of your music, here is a criticism that I have found there:
After spending the last years locked in the best recording studios in Miami and Sanchinarro, the great composer, interpreter and singer Francisco Rivera Pantoja - better known as El Jilguero del Skorpia - has presented his latest record work.Or, in his own words, "my new Zínguel."
The musical maturity of an artist who, despite having the ear of a cacatúa with syphilis, has managed to develop in such a complex and rich style in nuances such as reggaeton, which includes successes of the quality of ""Pam Pam "," Dare te "," Make it seasoning "," Cower "or" Pa that retouch ".
The music video - recorded in a wedding hall of an industrial polygon - masterfully tells the dramatic story of some vampires addicted to calimocho.The cast is formed by relatives and colleagues of the artist himself, to whom, to characterize them as dark beings, they have embedded the teeth of the donkey of Shrek in their mouths.To all except Kiko Rivera's sister, who went to filming with her own jaws.They complete that cast several drug addicts lying on a sofa and people who raise their hands.
It is important at this point to look at the slow chamber, which gives the narrative drama throughout the video.Paquirrín's sister, who has put in Granada to the Chomola, goes on the track like a drunk squirrel biting to the speakers, but always in slow motion.That is why it is culture.
To be able to communicate the depth of its artistic concerns, Francisco has opted for an elegant but nonconformist clothing composed of several vacuum closed flower shirts, a leather beret that barely covers the skull and pants inside the espadrilles in themselves.A wink of the interpreter to the pajamas that use the bears in the Russian circuses.The final result is like putting a cap to a meatball.And it is that Kiko's face, equivalent to painting eyes and mustache to a glans, has an unknown versatility so far.Aviator chick glasses close a round assembly.
We can observe that, despite the careful production -which includes environmental elements such as smoke on the ground, carpets on the Hindu walls or gods of corchopán -, the expressive force falls almost entirely over the great interpreter, which uses here all its gestural repertoire: Sitting, lying and lying down.Francisco Rivera, aware of his bovine beauty, flirts constantly with the camera and seduces the audience.
For example, while singing the chin is touched and looks to the ground in a gesture of Greco -Roman wisdom, as if they were looking for a euro.Likewise, when you are going to say something important, such as "The Corasons are astonished," looks at the camera and points to the viewer to make him an accomplice of the relevance of the moment.All these interpretive resources accompanies them with a choreography in which he moves his arms like an orangutan on top of a truck.
To support the singer, a ballet has been selected composed of three ladies with heels and a swimsuit that sticks to the pionon and marks all the hook of luck.Sophisticated and subtle.These girls are mainly dedicated to "perrear", being able to define the "perreo", for those who do not know, as the sequence of movements that an oligophrenic monkey makes when the scrotum itch.
Focusing on music now, Kiko uses his genius as a composer and hisVery extensive musical knowledge to create a everlasting 3-3-2 rhythm (used in all reggaeton songs) orchestrated by shock car trumpets.Such melodic and harmonic set delights any mental sufficient.
Although the authentic value of the composition does not reside in its music, but in the lyrical subtleties of the lyrics, which may well remember those verses of the "electrolatin" that pray: "that man is HIEPUTA GONORREA."A letter that the author has had the boldness of rhyll with Gerunds with the skill with which a dolphin gives somersaults.Let's delight with some passages:
“I can't suppress myself to your charms.
I like you like you so much ”
(The bilingual fluid of Kiko Rivera, essential to reach the Anglopartla public) is appropriate
"Devor me the skins from beginning to end."
(Here we attend a suggestive invitation to eat the flaps and flock the folds)
"I don't regret it"
(You don't have news that Paquirrín has ever regretted eating something)
Such a level of narrative enjundia and a profusion of such nuances are only possible when you are looking for inspiration in a clinic of Guatemala venereas.
But Francisco keeps the best for the end.A final mastering blow.An unexpected outcome where we discover that everything has been a dream, a dream fantasy caused by the intake, by Kiko Rivera, of two gazpacho cubes with two straws.A Deus Ex Machina who undoes the vampiric mess as Sophocles made in his philocte.But this time with Pakirrín uncanzurred in a mattress like a pyrcutero debris.
With this work of art, Francisco Rivera Pantoja comes to satisfy the urgent need of Spain for quality music.Since from the "pégate" of the superb singer, actress and social communicator "La Ylenia", the Spanish music scene was an orphan of lirismo.
Ángel Sanchidrián.
